"A spasmodically violent, creatively cast and off-center fast-cars-and-crime drama, Drive belongs to a rarified genre subset of stripped down, semi-arty and quasi-existentialist action films that includes Point Blank, Bullitt and The Driver," begins Todd McCarthy. "With Ryan Gosling ably incarnating a pent-up man of few words who goes to great lengths to make one positive gesture in a rotten world, Danish wunderkind Nicolas Winding Refn has fashioned an atmospheric and engaging glorified potboiler that nonetheless seems powered by a half-empty creative tank."
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